Keyboa: a dilemma

(Originally published at Counter Hive in April of 1786)

To whom it may concern,

I have been asked on numerous occasions in recent weeks, months, years, etc. about the ethics of music making by keyboa, specifically by electric keyboa. The commonly accepted definition, I feel I should make clear, of the keyboa is, as concluded at the 19** Seminar, "a metally snake that lives in keyholes" and "can be Manipulated to make melodious sounds". The two principal schools of thought on the harnessing of the electric keyboa are as follows;

i) The very nature of the keyboa ("a metally snake that lives in keyholes"), when coupled with the notion of "[Manipulation] to make melodious sounds", leads the mainstream of counter-Advance scholars to call for unambiguous prohibition of music making by keyboa, in particular by electric keyboa, for reasons of a perceived correlation between the required method (see "Metasynthesis and You: A Beginner's Guide [19**]) and certain principles of the proto-Advance, especially in the field of Control.

ii) A more maverick, but steadily growing school of thought would have it that, rather than being merely neutral in active terms of the Cause, music making by keyboa can actually be beneficial to counter-Advance. There is evidence, albeit broadly disputed (by the aforementioned mainstream) evidence, that points to the electric keyboa being in the region of 30% more organic than, for instance, the violin, and the acoustic, or "bare" keyboa being as much as 40% more organic, purportedly on account of their reptilian roots. There is seldom any suggestion in counter-Advance circles that music is anything less than an invaluable weapon against Human Advance, and, if the statistics cited above are even vaguely accurate, the central argument proffered by this second lobby, that the pros significantly outweigh the cons in any responsibly practiced music making endeavour by keyboa, electric or otherwise, might carry sufficient weight to make, at very least, a full enquiry by the relevant authorities into the potential efficacy of an official keyboa music making programme a viable route forward as regards this particular issue.

I hope that this humble memorandum has shed a little light on what perhaps needn’t be so divisive a topic as the keyboa question currently is. Please send all enquiries through the usual channels,

Yours in conscience,

Sir P----