they've to got it got through before he returns

I would not be telling the truth if I tried to suggest that people do not communicate. Certainly there are people quiet with each other, like those two young people. She with thin shoes and skinny jeans and her legs crossed and holding onto a iced fruit drink, those ones everyone mocks from Starbucks. And I a little too old for her, she wears no make up and will grow up unattractive; but right now perfect. And him picking pieces of something out of his sandwich for a thing to mention, they don’t speak, have they fallen out, are they bored with each other. Have they just broken up, are they at the beginning or at the end of something or the middle are they waiting for someone, perhaps they will kiss for something to do, or no. cynic. because there is nothing else to do but kiss. He wears a rugby shirt in blue and yellow and she wears a band logoed hooded jumper, no they just look like that, hers actually says Annie 08 and his says Fiji and he probably doesn’t play rugby though he is quite tall and his back is very long.

What about these three, a middle aged man a grey haired old woman and old man probably his parents, they are pension able. When he (the middle aged man) is there they don’t seem to say anything, nothing of any length enough to be concern of anyone. But then the man goes to the bathroom (the middle aged man) and the parents (we think) talk to each other, they discuss, they have a discussion and it looks furtive and important. Then the son (we think) returns and the father (we think) goes to the bathroom. The mother (we think) and the son (we think) have a quick argument, fast, they’ve to got it got through before he returns, perhaps she is thinking [thank god father (we think)’s piles are bad at the moment] and son (we think) is thinking [I hope father (we think)’s piles aren’t bad at the moment], or perhaps it is the other way around – piles are a very writerly way to adjust the narrative don’t you think? They seem practiced, they mirror each other’s movements closely, comfortable, managed, measured. The father (we think) and the son (we think) are never alone together and now they are all gone, jackets and mobile phones (or umbrellas) in hand and we will never know.

There were other people in the café but I have not mentioned them. And we're all just waiting for a reaction from on high.

The problem with doing anything, and why we don't.

Two principles, Lambton asserted in his cosmography, were in perpetual conflict for possession of the world, sphincter and explosion, magic and dullness, rot and purification, the fermentation is never-ending. He knew enough to invoke Asia and the more common European philosophers, and in this manner drew Penshaw deeper into thrall. The fermentation, he insisted, is the key; it stands in opposition to rebellion. In rebellion we have only death, we burn the land and celebrate the new, untrained and untutored growth that comes out of it. It is a false revolution, every revolution is co-opted by hope. Revolutions have always started in ideas and ended in fanaticisms of hope. Grandfather, Mr. Squashed Fly Biscuit, had docked beneath the burial place of our ancient kings in a river swimming with coal dust, and where had it got him? Hope cannot elide into despair, despite the time it takes. No, sincere hope of a reasonable strength in a stable person of reasonable intellect either bewilders or drives into irrationality. The perpetual cynic will survive the revolutions with an iron steadfastness. And it is difficult to argue with architecture. So I must ask, my reader, that you suspend your hope and allow us to continue in a perfectly practical manner.
Pretty Rosin almost choked on her dry roasted peanuts and laughed beyond all measure, the room brushed the hair out of its eyes and glanced over.
Lambton began to talk of his early life, that is to say, he talked about how he would view the things he was currently doing at the various future points he planned to judge himself from. Twenty one is unimportant. At the age of 24 he would find himself frivolous, and blush at the thought of occasionally affecting a cravat and stippled leather shoes, he expected that he would still smoke rolled-up cigarettes for reasons of poverty, but that occasional mistresses would provide him with exotic brands of filter-less cigarettes from the various European destinations available via budget airlines. At the age of 27 he would be satisfied with himself at 16 (which of course is his age now though of course not then), though the torturous naming-parties and inward-analysis that he instigated were tedious at the time and in retrospect, but the 24 year old would have to go. He disdained both’s attitude to sex, the homosexual phase having been well worked out and now part of the furniture. He must take care of himself and the hepatitis. His limited edition prints had doubled in value over the last six months and one of the mistresses had not only become pregnant and disappeared to Ireland via the Port of Liverpool (specifically for the irony) in order to abort but also given birth and had a child christened Oliver in the anglo-Catholic tradition. At 34 he was feted with a desk at the Guardian, its no longer existing not interrupting the point of this exposition; he type onto a screen one day: Two principles are in perpetual conflict for the possession of my world, me, and my past. At 40 he would be down to a single lung and make a hasty conversion to Anglicanism for the sake of his mother and a hasty conversion to liquorice-root chewing from cigarette smoking for the sake of the lung.
Lambton continued thus throughout the rest of his life, and in different ways he achieved many different things. In all those that mattered, he achieved nothing.

Two Thoughts

Digital Piracy

I had no qualms present as I thieved Sunset Blvd. and The Maltese Falcon from under the dead-eyes of it's starving creators via a loose swarm of like-minded buccaneers. There was not an inch of conscience involved. My eyes continued their involuntary act of descending a steep slope of snow, with a barely controlled flourish. Either for the sheer thrill of the ride and/or to bypass tedious scree, I enjoyed the hell out of it.

I was a new modern man with his fingers on the keys not giving a damn or a penny to/for the third generation black-suiters who wanted my ill-earned hard cash for what is, undeniably, old Bogart. Of course I had a dog by the name which was put down for mauling toddlers, or so I assumed from the euphemism my mother used. Whatever happened to collective culture anyway, it is as guarded as a dictator's tomb?

Hysterical Paroxysm

On a related note there I was treating her for the nervous ailment that had troubled her all these dark months since her husband put to sea, and suddenly I found the equipment all covered in a tepid sort of semolina. 'Aha! by Jehova and all The Saints' I thought out loud, stowing the vibratode in it's hygienic red leather lined beech box, I've heard of this but never seen the like; 'too right' said the wife. Nowadays you can get them in the Argos catalogue.

- "Tyranno" 1918

Arrangement Of Smallstones

It’s been ages since I had a stone in my shoe. Everyone knows how to estimate too big. Everyone knows. It almost feels like the good old days.
If you want to know how good your bare skin can draw (no gripping mechanism allowed; just flat skin-on-idea) you must pay attention here. Your foot will trace a knob of gravel in your brain, and may create some landmark knobbles that you will be excited to look at with eyes when you eventually take off your shoe. You will have decided, for example, that the shape is 1980s computer monitor with a conical flask coming out the right-hand-side. You can now (at a safe place on the pavement) take off your shoe and shake out the apple-pip-sized rock. On your first several attempts, what you uncover at this point will appear to have none of the landmarks that your foot so confidently drew in your brain. (You may even be so disappointed that you desire to put the stone back in your shoe so that you can look at the old picture again – I don’t know how widespread this feeling is – it may just be me and few others.) Perhaps though, with practice, as you reach old age, your foot-drawing will become more and more accurate, ‘til eyes and foot converge.
I have never put a stone in my shoe on purpose. This is a method you could try. It would, however, destroy the great and awesome complex unpredictable pattern of which moments you get a stone in your shoe. At the moment, for me, it’s been AGES. When will I next get a stone in my shoe? When will I next get a stone in my shoe? And, when will someone fall in love with me?