Close up of a right foot poking out from the duvet. The toes begin to twitch to rhythm of Break on Through by The Doors. The song kicks in.
Cut
(You know the day
Cut
(You know the day
destroys the night
Night divides the day
Tried to runTried to hide)
The camera weaves it way through to the bathroom. In passing we see a kitchen and a boiling kettle. The camera enters the bathroom. Standing in front of an open cabinet is a man. The camera advances to look over his shoulder to show shelves of bottles with brightly coloured labels. Close up of the label of one bottle which is a bright yellow smiley face, fingers wrap around the label. Cut to profile view of the man’s mouth tilted back his tongue extended with a sizeable pill on the tip, the tongue retracts. Close up of his throat swallowing. The camera cuts to the man’s midriff which is covered by a well worn tee-shirt featuring Jim Morrison’s face and numerous uncertain stains. The camera pans upward threatening to reveal his face, then glides down his shoulder to his hand clasping a toothbrush.
(We chased our pleasures here
The camera weaves it way through to the bathroom. In passing we see a kitchen and a boiling kettle. The camera enters the bathroom. Standing in front of an open cabinet is a man. The camera advances to look over his shoulder to show shelves of bottles with brightly coloured labels. Close up of the label of one bottle which is a bright yellow smiley face, fingers wrap around the label. Cut to profile view of the man’s mouth tilted back his tongue extended with a sizeable pill on the tip, the tongue retracts. Close up of his throat swallowing. The camera cuts to the man’s midriff which is covered by a well worn tee-shirt featuring Jim Morrison’s face and numerous uncertain stains. The camera pans upward threatening to reveal his face, then glides down his shoulder to his hand clasping a toothbrush.
(We chased our pleasures here
Dug our treasures there
But can you still recall
The time we cried
Break on through to the other side
Break on through to the other side)
The mirror slams closed and we are finally allowed to see his face reflected, well meaning but tired. Close up of his teeth being brushed in time to the music.
Cut to the man going up the escalator at monument metro. Profile view of the escalator the camera keeping in time with the escalator. The posters behind the man all display the words break on through pick out in purple words on a grey background. Throughout the man is tapping his hand in time to the music.
Cut to an extreme close up shot of the top of the escalator face on. The man slowly appears over the horizon of the escalator. The camera is an extreme close up so only a small part of him is in view at a time. He is still wearing the Jim Morrison t shirt and he is wearing jeans, but he is barefoot. The camera cuts off at the ankles.
(Made the scene
The mirror slams closed and we are finally allowed to see his face reflected, well meaning but tired. Close up of his teeth being brushed in time to the music.
Cut to the man going up the escalator at monument metro. Profile view of the escalator the camera keeping in time with the escalator. The posters behind the man all display the words break on through pick out in purple words on a grey background. Throughout the man is tapping his hand in time to the music.
Cut to an extreme close up shot of the top of the escalator face on. The man slowly appears over the horizon of the escalator. The camera is an extreme close up so only a small part of him is in view at a time. He is still wearing the Jim Morrison t shirt and he is wearing jeans, but he is barefoot. The camera cuts off at the ankles.
(Made the scene
Week to week
Day to day
Hour to hour
The gate is straight
Deep and wide
Break on through to the other side
Break on through to the other side
Break on throughBreak on through
Break on throughBreak on through
Yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah)
Cut to a shot of a bus pulling round the corner and pulling up to the bus stop.
Cut.
The camera is positioned so that as the bus pulls up there is a close up of the base of the doors. They open. His bare feet greet us. Then proceed step slowly down and shuffle. They point left, they point right. They face the camera, take a step over it and take themselves and their owner out of the film.
Cut to a shot of a bus pulling round the corner and pulling up to the bus stop.
Cut.
The camera is positioned so that as the bus pulls up there is a close up of the base of the doors. They open. His bare feet greet us. Then proceed step slowly down and shuffle. They point left, they point right. They face the camera, take a step over it and take themselves and their owner out of the film.
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