thoughtswhen

The twenties will receive my middle age
got married and woke up
all Capone and art deco; brightin
love it was three days almost.Young
things blowing policemenkisses since I'd
got my coat and licked
throwing off the robes of
mascara from an upper lip and
the great wear. I am thirteen, I am sweat
from your back. We'd donesitting, I am allowed,
I chucktalking about plastic and the why
-in my flat-cap - and finding tipsit
feels against skin. There,a travel kettle.
Cruises arereally much to say so we fun bledmass
fashion and pretend theankles instead and sat in
thoughtswhen real is fake from chinaand the other left.

Homage

What more could you ask for? it's a good life you know, and one to be appreciated beacause soon it's all banks and factories and boredom and drear and lack of heather, and lack of heath. That;s if you even think we have heath now; the p[lain turth of it is is that we don't, and we want it. I do, I do;.

Brick Wall Sentiments Prevail

Another one from the St. Cuthbert's Burials archive. This one can also be found in Tell It To A Hound Dog, Pedro. It's pretty well a doublerehash. And to coin a phrase, it's probably good advice if you've got shit for brains;

Brick by brick and trickle of mortar, come who may, the progress is never slow, for imperceptible. It’s not that you’re connected, but the scratching with nails at dusty but solid joinings of wall shows that that at least is not disconnected. Railway dreams are sleepers, the rail is the real goal but is iron not mist. Liner? There’s a thought on board, that’s why it’s swift; no real weight. Say mass. Say a lot of things. Steam speeds you through but what matters is not the journey, but the destination. Drink rum. That’s a journey and a destination in the one happy passage. I may be right, I may be wrong, I’m scared to discover, so I proffer nothing but the odd pithy pith. Learn something from that, dusty child with wrinkles. There are means of protection. If you want to ride, just pretend you have, and wherever you wind up, well, that was your destination all along. Don’t fret about it. Spin a wheel. Roulette/Steering. It matters not, babe. Eat shit, eat chocolate. It fucks your teeth either way, and what do you remember? Delicious sweetness? Bitter filth? No. You remember that you have no viable teeth in their sockets in the skull. Spend everything on a cocaine bath, dissolved in a woman’s utterances and seep. Thrift through baked bean bonanza of your mind’s easiest dream, the ordinary sense of the survival instinct. What do you regret? You spent it all, fucked up? You didn’t take enough time for your pleasure and now it’s too late? No. What you regret is that you wasted your time. Never your money. Money rolls and flows. If you’ve got it, you don’t give a shit. If you don’t got it, you’re resigned to that come reckoning time. In the end, you regret the things you haven’t done. I was a platinum selling hip-hop phenomenon, but I never climbed K2. Fuck it. Like I say… Drink Rum, The Rest Will Come… and then drink rum. You may as well. Thanks.

A vulgar story, big and clever.

Jesus was sitting on a small lump of cheese rind, occasionally wiping his hands on it. He was a big shiny bastard of a cockroach.
They eye blinked behind him and looked suggestive.
Jesus glared at it. “Just what the fuck do you think you’re looking at you big retinated anus?”
The eye continued to cry and was nailed to the wall.
Its mouth ripped open under its iris and it began to reply “Well I must say...”, it vomited up some glutinous wallpaper-paste like paste, then continued, “you are an extremely rude young man.”
Jesus jumped off his cheese and ran at the eye and slashed at it with his mandibles.
“I’ll fucking show you, you cocky little shit-cake!”
He dropped his wing cases to reveal a comparatively large organ of some sort, which pulsed and vibrated all along its length.
“Have at ya! HAGH! HAGH!”
Jesus ejaculated his invertebrate seed all over the eye, and then licked it as it dripped off. The eye blinked to clear its lens of the sticky concoction, then slowly retreated into a dark tunnel it used as means of passage.
“Good fucking riddance” Jesus screamed after it.
Jesus crept back onto his cheese with his back to the eye’s tunnel.
After about five minutes he glanced over his shoulder to see whether the eye was there; but it wasn't.
“Shit.”

As The Moon Glimmered over Worswick - a fragment from the short story: 'Worswick St. #1'

“Undefined Undefined Undefined Underfined.”

Undefined never liked them anyway. She stubbed out her unlit cigarette- she across the way like an epileptic fit. The near-by Punjabi illuminated sporadically the redbrick Street and the flickering window display of ‘As the moon glimmered over Worsick’. She had etc. as it traipsed off into faint traces. Her countenance had suddenly shifted, till She strolled passed the flickering Take-away, smiling at the cocktail of cumin.
The indigestion was gone and she made a beeline for the Bridge. She had already picked out one of the pale white Lampposts to stand under and not smoke another cigarette.

Only Fifty minutes ago she had stared (That Guinea at the Bissau jazz &) at the man she loved in the disused Worsick St. Bus Station, not even an hour ago. He told her he didn't love her anymore but maintained the eyes of a saint.
She was a little proud that she didn’t cry.

x and y Do Brunch

x: Yes, it was good. I liked it. But it did taste rather a lot… quite a lot like… coffee.

y: Oh, yes. We like our salmon with coffee. And Poison too. Did you not taste the Poison? Mmm! Poison!

x: Poison? (slightly alarmed)

y: Yes.

Cisterns, Part 1

This piece will be posted in 2 parts.
Any comment/critique would be helpful, as this is destined for the man.

Scene 1

A long, thin, white bathroom with yellow net curtains which dim the already pale light coming through a tall narrow window. A bathtub runs lengthways along the room, the toilet is below the window on the right of the bath, there is a sink to the left beside the door. A young man and a young woman are present, he in the bath, smoking, she sitting on the toilet in a dressing gown, also smoking. The bath-tap is running. She has a expensive bottle of Vodka, he has a cheap bottle of Whiskey. They are both dead.

Alexander. Shit day.
Pause. The sink gurgles. He stares at it.
Alex. Here’s to that!

He drinks deeply, lays the cigarette carefully on the rim of the bath, holds his nose theatrically and submerges himself, splashing water around. Lilja walks to the far end of the bath, turns off the tap, and returns to sit on the toilet before he finally surfaces with a gasp, reaches for the tap, then stops and looks angry when he notices it is already turned off.

Al. Ahhhh…
Lilja. Why must I be such a… (she smokes)
A. (He lies back) Makes life worth living.
Lil. …a pessimist about everything.
Alexander. (mocking voice) Dearest, could you pass me the towel?

He laughs to himself, and reaches over the bathtub to finish the Whiskey, braces himself on the bath and pushes himself out, he gets his towel himself, you pour him another drink, he carries it to the sink. Lilja goes over to the bath, checks the temperature, then gets in.

Alex. (Squeezing blackheads) There’s this computer program
where you load in all your pictures, everyone does,
and it somehow compares them, analyses them,
works out which ones are of the same person, or
a building or whatever. It links them all together and
builds like, an average, what it looks like from all
those different perspectives. It didn’t matter if it was
a massive digital photo from yesterday, a scan of a
third-hand photocopied newspaper story or a
Renaissance sketch. In the example, they did the
Sagrada Familia, remember, I went there? And even
used movie footage. Then they stuck them all
together and it was weird, all these webs of lines
where, like where all the repeated memories of this
church had ¾ somehow the bones of it coalesced from repetition
¾ and, punctured reality. (a worldwise laugh, Lilja turns on
the hot tap.) I wonder what Gaudi would’ve thought’ve it…
Li. … no hot, again, they cover the whole bathroom in
hair and soap and rotting towels, use all the water, all
the fucking butter, ask me to proof-read, can‘t even
string a sentence together. (She thumps herself on the
thigh, you light a cigarette for her, she takes it without
making eye contact.)
A. Got hit by a bus, remember? doubt he could care less?
L. Couldn’t, you shits. Could-n’t care less. COULDN’T - CARE - LESS.

ALEX

But she was gone, and like a tidied table the room had relinquished all its charm --- it was too subservient. The was no other will, no human to crash knees, elbows and temples with in the dark. The baguette was dry, the consistency of breeze-bloc, and had broke his skin when he’d attempted to catch it. He was hyperventilating. Sucking down the last half of a warm can of flat diet coke he spluttered into calmness.

- - -

Later, downstairs, in the stairwell, the optician from downstairs was sitting on the stairs, holding an unopened packet of Players cigarettes.

Alex says nothing. "Hi," was the reply.

"Worried they might bite?" said Alex. Alex is a mess, he thinks he is dying of tuberculosis, though you’d tried to tell him it was all in his head. He didn’t sit down.

"Nah," replied the optician smiling pleasantly, "my girlfriend ‘s made this deal. ‘No sin un-shared.’ I named it. I want a cigarette, someone else opens the packet, want a drink, someone else pours it."

"Sounds nice," says Alex.

"She’s plucking out all my vices. Refining them. Wouldn’t have got engaged if I’d known this would happen. Your’s," he flicks his eyes to the ceiling, "your Zoe, she not got you off the fags?"

- - -

Alex walks away to the sound of crackling cellophane.

Rickrolling

My ongoing obsession with internet culture has reached it's peak.

The fact that a considerable amount of people's time and effort have gone into perpetuating such pranks and genuinely disgusting memes helps build my love of humanity.

You have been rickrolled.

Two Thoughts

Digital Piracy

I had no qualms present as I thieved Sunset Blvd. and The Maltese Falcon from under the dead-eyes of it's starving creators via a loose swarm of like-minded buccaneers. There was not an inch of conscience involved. My eyes continued their involuntary act of descending a steep slope of snow, with a barely controlled flourish. Either for the sheer thrill of the ride and/or to bypass tedious scree, I enjoyed the hell out of it.

I was a new modern man with his fingers on the keys not giving a damn or a penny to/for the third generation black-suiters who wanted my ill-earned hard cash for what is, undeniably, old Bogart. Of course I had a dog by the name which was put down for mauling toddlers, or so I assumed from the euphemism my mother used. Whatever happened to collective culture anyway, it is as guarded as a dictator's tomb?

Hysterical Paroxysm

On a related note there I was treating her for the nervous ailment that had troubled her all these dark months since her husband put to sea, and suddenly I found the equipment all covered in a tepid sort of semolina. 'Aha! by Jehova and all The Saints' I thought out loud, stowing the vibratode in it's hygienic red leather lined beech box, I've heard of this but never seen the like; 'too right' said the wife. Nowadays you can get them in the Argos catalogue.

- "Tyranno" 1918

Smoked Fish

So there I was, surrounded by stiff tissues and trying to get to grips with the similarities between 'Scarborough Fair' and 'Girl From the North Country' when my head was flung around by the sound of a long reverberating squeak at the window. Dressed in only a white towel at the waist I gripped it tighter and faced the window cleaner who was 3/4 profiling his face and now focusing on only the dirty pane his length of rubber was strigiling. Had he turned as I did? Which of the two lyrics below is the most pleasing? I decided to leave the room for a glass of orange from concentrate and smoked mackerel, perhaps with some of the fruit loaf I knew I had left. I closed the window on the west-facing wall to help the cleaner, to give him a bit of resistance, and to hide from his ears the lines:

Remember me to one who lives there.
She once was a true love of mine.

Remember me from one who lives there,
For she/he once was a true love of mine.

A'wonder how many stories window cleaners; and gas men, telephone-line installationists, paper-boys, septic tank-diviners - what sort of stories they tell each other. A'wonder how many variations on the teenager wanking, the au-pair fucking, the cleaner sucking, the dog shitting, the husband throttling they come across and tell their friends in the work. A'wonder if they decide that the stories are boring and start to discuss the changing tastes in wallpaper and dado rails. A'wonder if they have physician-style tradesmen's oathes, or a butler's discretion, never to see and certainly never to tell of.

I'd finished the mackerel and washed down the oil with orange juice when the window cleaners knocked, they wanted paying. What I really needed was an audio recording of 'Scarborough Fair' and 'Girl From the North Country' and a working-class upbringing.

As a Nation said,

They feed young branch of tree,
bark of a free,
grass.

Breakfast and Pedro Thinks

In conscience, and for a thousand practical if barely discernible reasons, Pedro felt he could put off taking up his role as protagonist no longer, and so resolved, as so many times before, though earlier in the day, to make a real constructive start. Scratching at the outer recesses of his mind, he pondered a good ten minutes on any specifics there might have been as flesh to his previous resolutions. Pedro drew blanks, it being so early in the day. How does one begin? He thought about Mother Hen, how she left it too late, didn’t seize her chances; limbo’s where she’s lying, half-sleeping. But no, that was all too long ago, and Pedro is young. He hasn’t time for the eyes to look forward, and has nothing to look back on. Where does one begin? At breakfast, perhaps, that can be pinned down, it’s solid enough sometimes. Pedro looked around; what about it? What about breakfast? It’s finished now, and besides it was only toast. And all so early in the day! Best to think afresh, he thought, or not to think at all. Perhaps he could go out walking, not to clear his mind, for no good could come of that, not today, but to meet dog-walkers, shop girls, milkmen, children and tramps, and hold discourse. Things happen when you go out walking, and Pedro had to start somewhere. That’s what he’d do, he’d go out walking. What did Pedro have to say? He had to say something. He’d wait a while, have lunch; he could go out after lunch alright, but not so very early in the day. Have a glass of wine for Christ’s sake!

The Modern History of Myself and Hats

February 1997:
When I was ten years old I had this green, felt one with tassels at certain corners. It had cost my parents £20, which I still think is a decent chunk of money. I took it away with me to Italy, on a school trip to the Alps, because that’s why my parents had spent a decent chunk of money on it.
For my parents this trip symbolised a success, in a way, they had worked hard and managed to achieve a better standard of living, for their children, than they had had.
They were certain that ‘I was going to really enjoy it’.
And I did
Until I lost the hat.
I felt like I’d bulldozed my parents’ efforts and that if they too saw the symbol of the hat they might want to cry. From now on I was to appreciate home and its affiliates.
Thanks to that and the fact that Stuart Yorston told me my parents had died in a car crash that night I became homesick.

October 2002:
The next hat I owned cost £2.50 more. It was an old bowler with a red lining. You’d like it- it was very likable, I should know – I liked it. (In hindsight) It represented a time, a place and a nascent frame of mind. The vine of a frame of mind I wind today. There are a couple of photographs of me wearing the hat, there were a couple of photographs and then it had served its purpose. The hat had come to be a confidence for my creative conviction. I had a mop of hair.
But soon I wasn’t so sure,
Since then the hat has had various retirement homes and display cases, though rarely on my head. These days it usually rests; crucified on a novelty, foam raspberry in the living room.

Summer 2005:
The third had been Jo’s hat: a black, corduroy, railway flat cap (cool as fuck). I pinched it off her because it suited me, especially when I wore my maroon polo shirt and an accompanying black tie and when college ended and university began it came with me to Edinburgh. (Jo said I should take it to remind me of her & when our relationship stumbled to a halt she reiterated this. And so it did.).
One night I wore it to work. That night where me & Senior were hosting the quiz and Kristoff gave us a whole bottle of Apple Sourz to drink. Sometime later I couldn’t find the hat.
I was rather disappointed: It suited me.
It was sometime after that, in the same place, I saw the hat once more. This time it was on the head of an Australian lesbian. After thinking about it for a bit I asked her:
‘Excuse me’, I said, ‘where did you find that hat?’
‘Under my bed’, she said. And perhaps she had.

June 2007:
It was the last day with my sweet for a while and after much deliberation in front of a mirror I bought the hat. A straw, slightly panama job from C & A’s in Budapest. It was almost small but suited my mane/mood and ‘too small’’s better than ‘too big’, surely? Anyway Rosie said she found me attractive in it and that helped my decision. After leaving her in that subway I had almost already decided that the hat had to return home on my head so’s Rosie could find me attractive, in the hat once more. By the time I arrived in Kyiv the hat had developed into a symbol, a symbol of my love and my faith in said love, a comfort should homesickness return.
I preserved it from the Ukraine and Moscow to the Trans-Siberian express. Here it perched above my bunk, over the bedside light, placed there, most likely, by The Trader. I remember well, Thom’s hayfever had been playing up and on The Traders’ suggestion we swapped beds, in order to let Thom sleep out of the pollenful breeze. On the third night, (the second on the others’ bed) I awoke to find the hat was missing.
The Hat!
I hunted around, frantically, with my eyes for any sign of straw and there it was peeking out from behind Thom’s arse- crumpled, beaten and no longer an attractive accessory. The Trader attempted to straighten it out and look proud at his hopeless attempts, Thom laughed.

Keyboa: a dilemma

(Originally published at Counter Hive in April of 1786)

To whom it may concern,

I have been asked on numerous occasions in recent weeks, months, years, etc. about the ethics of music making by keyboa, specifically by electric keyboa. The commonly accepted definition, I feel I should make clear, of the keyboa is, as concluded at the 19** Seminar, "a metally snake that lives in keyholes" and "can be Manipulated to make melodious sounds". The two principal schools of thought on the harnessing of the electric keyboa are as follows;

i) The very nature of the keyboa ("a metally snake that lives in keyholes"), when coupled with the notion of "[Manipulation] to make melodious sounds", leads the mainstream of counter-Advance scholars to call for unambiguous prohibition of music making by keyboa, in particular by electric keyboa, for reasons of a perceived correlation between the required method (see "Metasynthesis and You: A Beginner's Guide [19**]) and certain principles of the proto-Advance, especially in the field of Control.

ii) A more maverick, but steadily growing school of thought would have it that, rather than being merely neutral in active terms of the Cause, music making by keyboa can actually be beneficial to counter-Advance. There is evidence, albeit broadly disputed (by the aforementioned mainstream) evidence, that points to the electric keyboa being in the region of 30% more organic than, for instance, the violin, and the acoustic, or "bare" keyboa being as much as 40% more organic, purportedly on account of their reptilian roots. There is seldom any suggestion in counter-Advance circles that music is anything less than an invaluable weapon against Human Advance, and, if the statistics cited above are even vaguely accurate, the central argument proffered by this second lobby, that the pros significantly outweigh the cons in any responsibly practiced music making endeavour by keyboa, electric or otherwise, might carry sufficient weight to make, at very least, a full enquiry by the relevant authorities into the potential efficacy of an official keyboa music making programme a viable route forward as regards this particular issue.

I hope that this humble memorandum has shed a little light on what perhaps needn’t be so divisive a topic as the keyboa question currently is. Please send all enquiries through the usual channels,

Yours in conscience,

Sir P----

He Emerged From The East

A repetition:

The word 'aslan' is a fine word. You may well associate said word with a popular lion, famed for being somewhat like Jesus, only fair-haired, of a name similar in all but capitalisation. (That lion is called 'Aslan'. Smashing fellow, by all accounts). Well, your association of 'aslan' with 'Aslan' is well-founded, though you don't yet know it. See, the word 'aslan', or so my sources inform me, translates from the Turkish to 'lion'.

To rephrase, my point of information is as follows;

"Aslan is Turkish for lion."

Happy Trails, and may your next point of information also be a translation from the Turkish Tongue (Tongue of Turkishes).

Regards and Peaches,

Billy

In An Automated Fashion

Veins

In a couple of million years (a pretty short time when you think about it), The New Dinosaurs will find some pretty excellent veins of aluminium ore on the sites of what The Middle Dinosaurs called “Landfill Sites”. Great towns will spring up around these most fruitful of veins, they’ll prosper, with all the New Dinosaur amenities, until the sources dry up and the towns begin to wither and die. There’ll be some real doldrums economically speaking before the service sector saves the day.

Aluminium will be shipped in while the residents write out receipts. It’s a pity there was no lightning back then, else they’d have had electric typewriters, Earth* willing.

*Steve, as they called her

“I wouldn’t… but I’m going to”

There’s none of what we (often quaintly) call rivalry among The New Dinosaurs; on the contrary, there’s a great communalism in their society, coupled inextricably with a pioneering spirit that would put our 18^th and 19^th Centuries to shame. It was quite by accident (with, of course, the requisite quotient of pure New Dinosaur Vigilance) that they (that’s they collectively) unlocked the secrets of Fusion. I shan’t bore you with detail, suffice it to say that it was most unfortunate, not to say ethically unwarranted, that the end came about; The New Dinosaurs cannot be blamed by any reasonable court of law. Natural curiosity can never be condemned, and it was and it was an unforeseeable happenstance that launched Steve into the Sun* while the rockets crept eventually into the orbit of the shoe factory where Mars used to be.

By this time aluminium could be synthesised quite easily and in an automated fashion.

*Croquet